Rabindranath Tagore, also known by the sobriquet Gurudev, was a Bengali poet, Brahmo (syncretic Hindu monotheist) philosopher, visual artist, playwright, composer, and novelist whose avant-garde works reshaped Bengali literature and music in the late 19th and early 20th centuries. A celebrated cultural icon of Bengal, he became Asia's first Nobel laureate when he won the 1913 Nobel Prize in Literature. Rabindranath Tagore, pronounced Ravindronath Thakhur, was born May 7, 1861 or the 25th day of the month of Baisakhi in the year 1268 (Bengali lunar calendar) in Calcutta, amidst turmoil of British and Indian relations. Tagore (nicknamed "Rabi") was born the youngest of fourteen children in the Jorasanko mansion of parents Debendranath Tagore and Sarada Devi. He was the sixth child born to Sarada devi and Mahashri Debendranath Tagore. After undergoing his upanayan (coming-of-age) rite at age eleven, Tagore and his father left Calcutta on February 14, 1873 to tour India for several months, visiting his father's Santiniketan estate and Amritsar before reaching the Himalayan hill station of Dalhousie. There, Tagore read biographies, studied history, astronomy, modern science, and Sanskrit, and examined the classical poetry of Kalidasa. In 1877, he arose to notability when he composed several works, including a long poem set in the Maithili style pioneered by Vidyapati. Seeking to become a barrister, Tagore enrolled at a public school in Brighton, England in 1878; later, he studied at University College London, but returned to Bengal in 1880 without a degree. On 9 December 1883, he married Mrinalini Devi; they had five children, four of whom later died before reaching full adulthood. In 1890, Tagore (joined in 1898 by his wife and children) began managing his family's estates in Shelidah, a region now in Bangladesh. Known as "Zamindar Babu", Tagore traveled across the vast estate while living out of the family's luxurious barge, the Padma, to collect (mostly token) rents and bless villagers; in exchange, he had feasts held in his honour. During these years, Tagore's Sadhana period (1891-1895; named for one of Tagore's magazines) was among his most fecund, with more than half the stories of the three-volume and eighty-four-story Galpaguchchha written. With irony and emotional weight, they depicted a wide range of Bengali lifestyles, particularly village life. Tagore was nursed in the political ideals bequeathed to him by his father, the honorary Secretary of the British Indian Association. Tagore, unlike most of the other freedom fighters of his time, exposed the depravity of the British rule by chronicling all his adversities with British imperialism through poetry and literary works. He wrote most of his pieces in his mother tongue, Bengali, to be later translated to cater to his vast audience. He used his literature as a mobilization for political and social reform, hence allowing other nations to be aware and further apply international pressure to Britain to be accountable for its actions. He documented everything that would expose Britain's true intentions in India.
He was always a poet foremost, but due to the situation he was born into, his role in India's independence movement was to inspire faith in the dream that was unfulfilled. Without faith there was no future to be created. Tagore said, "It is the dreamer who builds up civilization; it is he who can realize the spiritual unity reigning supreme over all differences of race." Instilling national pride, he believed that India must earn her freedom.
He was insistent that the Englishman in India was an external fact and that the country was the most true and complete fact: "Try to build up your country by your own strength because realization becomes complete through creation." Hence, Tagore advocated that we can only realize our own self in the country if we seek to create the country we wish to live in by our thought, our activity and our service. The homeland is the creation of the mind and that is why the soul realizes itself (finds itself) in its own experience in the motherland. Tagore asked his people, in "Swadeshi Samaj", to win back the country, not from the British, but from apathy and indifference. He believed the country would attain a form of salvation only when all of its parts pulsated with passion for the recovery of the motherland. Hence, Tagore's method for liberation was an internal, intellectual movement: "Unreasoning faith, blind habits of mind, adherence to customs that had no merit save their age, the repression of intellect and heart in the unproductive channel of inaction - all of this is the antithesis of the forces that reveal people in all their full glory and dignity. This is the root cause of degeneration." His goal was not economic restructuring, but emotional liberation from the British, leading to economic and political reform.
Tagore was not a supporter of the non-cooperation movement as he felt the end result of disassociation from the British would be futile, since the future would only lead back to assimilation. Mahatma Gandhi and Rabindranath Tagore differed in this way in their thinking on how to free India. Tagore and Gandhi, however, had a fond affinity for one another. Gandhi termed Tagore as his "Gurudev". Jawaharlal Nehru stated, "No two persons could possibly differ so much as Gandhi and Tagore." Yet this is a perfect example of the Hindu philosophy of acceptance in the pursuit of knowledge and the richness of India's age-long cultural genius. Gandhi consulted Tagore regarding methods of liberating India, stating that knowing his best friend was spiritually with him sustained him in the midst of the storms he entered.
Tagore began to resurrect his people by the introduction of schools. He taught subjects promoting that man can extend his own horizon and achieve a second birth through creativity and art. He opened his first school in Santiniketan. He began the regeneration by directing his efforts primarily at education with the foremost hope of promoting literacy and then health via enforcement of social conduct. Tagore was born into the priestly class, placing him in the highest class in Indian culture. However, he believed that India, by creating smaller and smaller spheres was destroying the vitality of her people. He refused to reap any benefit from the caste system and lived among the poorest of people. He recognized that when the British government created separate electorates for the castes among Hindus, its intention was to separate the Hindu community. Gandhi and Tagore, both of the same mind, protested to this differentiation, leading to Gandhi announcing a fast until death on September 0, 1932, which did not end in tragedy. This consciousness of the abject condition and miserable helplessness of the poor, unlucky people was the basis of his political philosophy in the years that followed.
Rabindranath Tagore was probably most famously known as the author of India's national anthem, J"ana Gana Mana." The national anthem was first sung on December 27, 1911 at the Indian National Congress in Calcutta in glory of the motherland. It is also a song of reverence to the Lord of the Universe, the Dispenser of Human Destiny, Arjuna, who drives India's history through the ages along the rugged road with the rise and fall of nations
As Tagore became recognized as a prolific poet, through the translation to English of his most famous work Gitanjali, he acquired international fame with an introduction by W.B. Yeats. He was selected for the Nobel Prize in literature the next year and was granted a Nobel laureate subsequently in 1914. Furthermore, the University of Calcutta gave him an honorary Doctorate of Literature. The British government conferred upon him a knighthood celebrating the occasion of the King Emperor. However, in 1916, the poet renounced this knightship in protest to the Jallianwala Bagh massacre of 1919 where 379 people were killed as the Imperial Government obtained the right to jail without trial, anyone whom they regarded as fractious. He wrote a stinging letter abandoning all amity and worked to strengthen India on a grassroots level.
In the years that followed before and after the Independence of India, Tagore became a spiritual ambassador, visiting Japan, Central and North America and other nations promoting understanding of culture and the follies of aggressive nationalism. He grew as a writer of poems. In his career, from 1878 to 1931, he wrote: songs, plays, novels, short stories, literary criticisms, lectures on religion and philosophy, and dramas. Then, from 1928 to 1940, he produced two thousand paintings. In later years, as Tagore reached his sixties, he tried to finance his Vishva-Bharati University personally. He relied on royalties and proceeds from his lecture tours. By 1941, Tagore's health had seriously deteriorated. When India attained independence, its first Prime Minister, Jawaharlal Nehru, who was a great admirer of Tagore, had an act passed to adopt Vishva-Bharati as one of the Central Universities. Tagore died peacefully, after an operation in Calcutta on August 7, 1941. Calcutta residents came by the thousands to have a last look at their beloved poet, as his body was carried to the bank of the Hoogly River for cremation. He was the quintessence of Indian culture and the living voice of India. Convincingly, he was the Prophet of Peace.
Manasi 1890 (The Ideal One)
Sonar Tari 1894 (The Golden Boat)
Gitanjali 1910 (Song Offerings)
Gitimalya 1914 (Wreath of Songs)
Balaka 1916 (The Flight of Cranes)
Valmiki Pratibha 1881 (The Genius of Valmiki)
Visarjan 1890 (The Sacrifice)
Raja 1910 (The King of the Dark Chamber)
Dak Ghar 1912 (The Post Office)
Achalayatan 1912 (The Immovable)
Muktadhara 1922 (The Waterfall)
Raktakaravi 1926 (Red Oleanders)
Gora 1910 (Fair-faced)
Ghare-Baire 1916 (The Home and the World)
Yogayog 1929 (Crosscurrents)
Jivansmriti 1912 (My Reminiscences)
Chhelebela 1940 (My Boyhood Days)
Creative Unity (1922)
The Fugitive (1921)
The Gardener (1913)
Gitanjali: Song Offerings (1912)
Glimpses of Bengal (1991)
The Home and the World (1985)
I Won't Let you Go: Selected Poems (1991)
My Boyhood Days (1943)
My Reminiscences (1991)
The Post Office (1996)
Sadhana: The Realisation of Life (1913)
Selected Letters (1997)
Selected Poems (1994)
Selected Short Stories (1991)